“DreamDream” is one of several rearrangements of songs from earlier in this generation in this collection. Unlike when this was done in generation four for Hikari (Dawn), however, this version is fairly close to the earlier release of the track. As a result (and perhaps also due to my unfamiliarity with Serena’s Japanese voice actor, Mayuki Makiguchi), I’m not particularly attached to this rendition of the ending theme. It’s hardly bad, but doesn’t offer much beyond the original version.
Brilliantly (a.k.a. Glitter)
Performed by Citron’s (Clemont’s) voice actor Yūki Kaji, this remake of a song from the “Getter Ban Ban” single was more appealing to me, but perhaps that’s just an indication of my fondness for his engineering work (similar to how my love of art elevates my opinion of Tracey), or that the underlying song appeals to me more due to its “fun” quality. In any case, it ends up being one of the standout tracks on this collection for me.
A call-and-response track between a group of children and Ikue Ohtani, this is clearly a song designed for a different audience. There’s a fair amount of variation, and I appreciate the challenge writing this song must have presented, but it’s definitely not something I would listen to more than once in a while.
Another in a line of Meowth-related tunes, this song (as the name implies) goes for a lighter mood akin to “Meowth’s Song” from generation one. Like the older track, I enjoy listening to this, and it’s impressive that Inuko Inuyama can deliver such a low-key performance. Definitely comes across as one of the better entries on this CD.
XY & Z (Movie Version)
As one might expect, this is the earlier TV version with some new instruments (Side Note: I really miss instances like the first few English movies and “High Touch” where they would re-do or otherwise majorly change the theme for the movies-it doesn’t have to happen for each one, but it would be nice to see more often). My feelings on this version are pretty much the same as the original-it’s good overall, but the ending doesn’t seem to be quite what I wanted tonally.
If I didn’t own either, I’d probably pick up just this second volume (especially since I’m not running a station anymore), as there’s not a great need to own the instrumental versions present on the first volume. If you already have that first EP, I would still say this is worth purchasing as long as you’re interested in enough of the new tracks. I would have preferred to have a few more fully original songs, but in general it’s still a good package.
Want to see an unboxing of this CD?