Tuesday, January 12, 2016

This Week in Pokemon Music: 1/11/2016

Welcome to "This Week in Pokemon Music", a feature on the blog where we go over some of the Pokemon music that's been recently released.

The first track we have this week is a remix of Route 113 from Ruby and Sapphire:

Artist: AlmightyArceus
Song: Route 113 Remix - "Red Flute" - Pokémon OR/AS/RSE (1000 Subscriber Special!)

Also, its worth noting that insaneintherainmusic has been remastering some of his old work, which includes a "Pokemon League" cover. The album is available on iTunes and Amazon MP3.

Sadly, today's "Pokemon 20" announcement did not include any new or rereleased music products, though I do hope we see some this year. In the meantime, here's the playlist for this week:


Happy Listening!

Tuesday, January 05, 2016

This Week in Pokemon Music: 1/4/2016

Welcome to "This Week in Pokemon Music", a new feature on the blog where we go over some of the Pokemon music that's been recently released. We'll cover a variety of sources, ranging from digital services to fan creations.

We just passed the holidays, so this week there's a lot of focus on winter-themed tracks. We start off with a cover of the Snowpoint City theme from Diamond, Pearl, and Platinum:

Artist: xclassicalcatx 
Song: Pokémon DPPT: Snowpoint City [ ❄ viola cover ❄ ]

What I really like about this one is the way it combines the synthetic sounds with the strings, something that can be very difficult to accomplish.

Speaking of the fourth generation, Sinnoh's Route 216 is a popular subject (similar to Lavender Town at Halloween). Here's an excellent jazz rendition:

Artist: insaneintherainmusic
Song: Route 216 - Pokémon Diamond / Pearl / Platinum | Jazz Cover

If you're looking for something a bit warmer, perhaps this arrangement of Lance's theme will work:

Artist: Marc v/d Meulen
Song: Pokémon Lance Battle Theme (Symphonic/Cinematic Remix) With Viola & Guitar!

Those are the featured tracks for this week-you can check out these and more in this week's playlist:
Happy Listening!

Friday, January 01, 2016

Pokemon TCG City Championships 2015-2016: Loves Park, IL

The following is an interview with Nick Foltz, who won the 2015 Pokémon TCG City Championship in Loves Park, IL (Standard format) with an Entei deck:

Where are you from, and how did you get into playing the Pokémon TCG?
I am from Rockford, IL and spent my formative years living in Loves Park (a neighboring city). It was very exciting to bring home the gold in my hometown. I'm an old man in Poke-years (28) so I actually played (non-competitively) during the Base Set days. I took about a 15-year hiatus before regaining an interest in the game thanks to the children in the after-school program I run. What started as a joke amongst me and a few friends has become a fun way to spend time together and travel around in hopes of earning an invite to the 2016 World Championships.

What made you choose to use this deck for this tournament?
It was sort of a last minute call-I had some success the prior weekend with an original deck of mine, Toad/Zoroark, netting me a second place finish in Tecumseh, MI, so that seemed like the safe play, but as I walked through the play area I noticed a lot of Night March being written out on deck lists, and Entei pretty well crushes Night March thanks to Assault Vest, so I figured I'd give it a go.

What's the basic idea of the Entei deck?
The goal is to quickly draw through your deck with item draw and Scorched Earth, discarding Fire energy along the way to fuel Blacksmith. By attaching a DCE, using Blacksmith, and attaching two Muscle Bands (thanks to Entei's Theta Double Ancient Trait) you're able to use Heat Tackle for 170 damage on the first turn more often than not. Conversely, if the matchup calls for a more conservative, defensive style, you can opt to attach Assault Vest and use Entei's Flame Screen attack, which reduces your opponent's attack by 30, plus another 40-80 from the Assault Vest cards if they have a Special Energy Card attached.

What were some of the other Pokémon in your deck, and what were they used for?
Besides the four Entei, the deck only plays a single copy of Charizard EX (FFI 12) and three Shaymin EX. As mentioned before, the deck relies on drawing as many cards as possible in order to maintain a steady stream of Blacksmith throughout the game, and no card does that better than Shaymin EX. The Charizard EX is more or less a “last resort” card when setup doesn’t go as planned, and functions as a less versatile version of Entei. It's able to do 170 damage like Entei, but only requires one Muscle Band. Unfortunately, Charizard EX’s Combustion Blast can't be used the following turn, plus it gives two prizes when KO'ed because it's an EX.

In the Top 8 match, you ended up having to play a sudden death match to resolve game one. What led to that, and how did you approach the single-prize game?
The Head Judge, Chris Dreksler, always “accuses” me of keeping his tournaments interesting, and once again I did not disappoint. I was facing a straight Mega Manectric EX deck, which, in my opinion, is not a great matchup for me-Rough Seas messes with my math as I'm not able to efficiently slow down their attacks with Heat Tackle/Assault Vest, and I'm not able get OHKOs because of its massive 210 HP. He had one remaining prize on the board, compared to me with two. My last Entei had incurred 120 damage but was fortunately fully powered up to do 170 damage with its two Muscle Bands. I played Lysandre to bring up his Hoopa EX, used Heat Tackle for 170, effectively KO'ing it and earning my final two prizes. Unfortunately, when Heat Tackle is used you must flip a coin: If tails you do 30 damage to yourself. Naturally, I flipped tails, causing a double KO. This sent us into a one-prize sudden death, with the winner of that match being declared the winner of game one.

In the actual Sudden Death, there wasn't really any way for me to strategize for the match as I started lone Shaymin EX while he had a Manectric EX. He attached twice while I essentially drew-passed, and thanks to Shaymin's Lightning Weakness, I was quickly taken out and put in a 0-1 hole. Fortunately, I was able to win the two other games and advance.

What worked well for the deck in the tournament overall?
Just about everything worked well during the tournament. I was able to effectively manipulate the two very powerful tools in the deck to optimize each specific matchup. I faced a lot of non-EX decks that rely on DCE to attack (three Night March and a Raichu/Crobat), so Assault Vest does an incredible job of forcing those decks to two-hit KO while only receiving one prize.

Are there any changes you might make to improve it?
I think I made a fairly optimal version of the deck for the given meta. Should Seismitoad EX become more popular (as I already witnessed the following day), there are a couple items I may cut in order to maximize the cards I can effectively use under item lock, such as a fourth Scorched Earth and a fourth Blacksmith. I've also heard of players using a Parallel City to minimize Seismitoad's damage output (which seems pretty clever to me) as well. It all comes down to reading your meta properly.

Tuesday, December 29, 2015

Changes to the station effective 1/1/2016

Note: At the time this article was originally written, Live365 had not put out an official statement regarding the changes, thus some details are based on limited information. The article will be updated as final details become available.

Updated 12/30/2015 4:30 PM CST: Added details from the Live365 release regarding the matter. As before, I am planning on continuing the station in an alternative form-see below the embedded video.

Every four-to-five years, a board of judges at the federal level sets the US base rate of performance royalties for internet radio (1). The most recent rates came out on December 16th, and as a result of the changes, Live365 (the hosting provider for the station since its inception in August 2000) is discontinuing its personal broadcasting packages when the rates go into effect on January 1st (2), and at that time, the PIRN stream on the service will cease broadcasting. Live365 itself may only continue providing streaming audio at all through the end of January 2016.

At one point (before all plans were removed from the Live365 website), I had the option of switching to one of their comparable professional plans, which would have cost approximately $40 a month more than what I'm currently paying (for reference, I've been paying just under $70 a month to broadcast). While I could have afforded the difference (the changes I'm making are more about what audience I can reach than personal cost), it became difficult to justify given the typical amount of listening the station got per month. Historically, listenership peaked in the summer of 2005, and despite attempts to advertise the station, I've never been able to surpass that mark. Also, while there are a few other services that allow individuals to run their own internet radio station, I doubt that I could get significantly more listening time by being on them (also, I'd want to have things in the industry settle before moving to another streaming provider).

Why is it so difficult to court listeners? Well, the truth is that the station's target audience is generally under 30, and thus gets its music not from a more traditional radio paradigm, but on demand, and mainly through YouTube (which, you may notice, launched in 2005). About a week ago, I attempted to take an hour or so of a playlist and see how much I could find on there, and this was the result:


Given the circumstances, I've decided it's a better use of my time and resources to curate video playlists on a daily basis and link to them from here. This should serve a wider audience, and give me more time to focus on original content. In this new format, I'll attempt to adhere to the following principles:

Maintain a structured playlist: Like with the current station, my goal is to balance music between generations, styles, and origin countries using musical categories and a clock wheel system (3) . I feel this keeps the playlists more interesting and less repetitive.

Use official/officially monetized videos when feasible: One of my goals is to support the industry where possible, so I will try to find official videos or ones that have been claimed and monetized by the song owner.

This will be an evolving process, so keep an eye on this blog for updates.

1. This rate covers non-interactive broadcasts where music is streamed continuously in a manner similar to a terrestrial radio station, not services that provide specific songs from a library on demand to a user like on Spotify or Apple Music. 
2. The specific reason for the removal of the personal plans appears to be the discontinuation provisions aimed at reducing costs for smaller stations. More information about the overall situation can be found in this article.
3. See the video for how the station is programmed for more information about how clock wheels are used in radio.


New music for the week of 12/28/2015

As usual, two new tracks from Super Mystery Dungeon:

-Let's Go to School!
-Partner's Theme

Happy Listening!

Thursday, December 24, 2015

Hoopa and the Clash of Ages DVD releases in the US on March 8th, 2016

Amazon US recently posted a listing for the DVD of the 18th Pokemon movie, Hoopa and the Clash of Ages. The DVD is set to be released on March 8th, 2016.

Tuesday, December 22, 2015

Wednesday, December 16, 2015

DVDs, Blu-rays of first three Pokemon movies releasing in February 2016 in the US

Update: A Blu-ray pack of all three movies has been added, to be released on February 9th. Original article follows.

Amazon US recently posted new listings for DVDs for the first three Pokemon movies:

Pokemon: The First Movie
Pokemon: The Movie 2000
Pokemon 3

The movies are set to released in February (the 9th for The First Movie and the 16th for the second and third) for $14.98 each. While the descriptions do make reference to the theatrical shorts, they also appear to be placeholders and it is not known for certain if the discs will contain these or any other special features. It is also not known if these movies will be coming to Blu-ray or digital distribution in the US, though the recent trend of releasing the 8th, 9th, and 17th movies digitally suggests that possibility for these films.

The first three Pokemon movies have been out of print in the US since the 10th anniversary of their original US theatrical release dates, the result of an apparent expiration of Warner Bros.'s rights to distribute them. Since then, they have made occasional appearances on television and the Pokemon TV service, and were released on DVD and Blu-ray in Australia earlier this month. These new US releases come very shortly before the 20th anniversary of the original Pokemon games' release in Japan.

Tuesday, December 15, 2015

New music for the week of 12/14/2015

We get our first tracks from Pokemon Super Mystery Dungeon this week:

-Main Theme
-Lush Forest

Look forward to more from the game in the coming weeks.

Happy listening!

Tuesday, December 08, 2015

New music for the week of 12/7/2015

One new track this week:

-Pokémon Center

This is a jazz rendition of the theme from the main Pokemon games. If you like the song, you can buy it on iTunes or Amazon.

Happy Listening!